The Oxford dictionary defines beauty as a combination of qualities; such as shape, colour, or form that pleases the aesthetic senses, especially the sight. Although highlighting sight as a paradigm of aesthetic pleasure is indisputably true, there is still no clear connotation of what sight is, which opens up many different possibilities. In order to shed light on the sense of sight, Carol Mavor who calls herself an ‘artist historian’, emphasizes that “Touch is the dictionary for sight.”1 If so, could it be assumed to say that what pleases our touch is ‘overlooked’ within the definition of beauty? Then how can we touch a shape, a colour or a form? What about the pleasure that we get through the things we cannot touch physically?